#Gooe movies from 2017 android
#Gooe movies from 2017 professional

#Gooe movies from 2017 android

Yet after expertly going through the tried-and-true monster-movie motions, the director then shifts gears by turning his prime attention to Michael Fassbender's android David-who, it turns out, is an inhabitant of this ancient world. Scott's latest spends its first hour setting up a familiar battle between human colonists and angry xenomorphs, after the former decide to investigate a mysterious distress signal from a nearby planet.

Rent/buy on Amazon and iTunes.Д«lending the body horror of his 1979 Alien, the gung-ho combat of James Cameron's 1986 sequel Aliens, and the philosophical grandiosity of his 2012 prequel Prometheus-not to mention the man-and-machine musings of his 1982 Blade Runner-Ridley Scott delivers a biblically scaled interstellar nightmare with Alien: Covenant. Eschewing many non-fiction conventions (talking head interviews, textual summaries) for a chronologically fractured, up-close-and-personal depiction of courage under fire, it's a film that inspires as much as it horrifies and infuriates.

Posting ghastly video and still photos of ISIS atrocities in order to elicit global outrage and opposition, RBSS risks literal life and limb in its battle with terrorism, and to a significant extent, so too does Heineman via his doc, which embraces its subject's cause in order to effect change. That group, known as 'Raqqa Is Being Silently Slaughtered' (RBSS), is the focus of director Matthew Heineman's sterling new documentary, which embeds itself with three RBSS members as they struggle to continue their work from Germany and Turkey, where they've been forced to flee thanks to death threats from ISIS. Since 2014, ISIS has claimed the Syrian city of Raqqa as the capital of its so-called Caliphate-and, at the same time, been opposed by a band of local 'citizen journalists' whose mission is to expose the Islamic State's horrific crimes. In doing so, it delivers a sinister chill thatвЂ™s hard to shake.

Chilly yet intimate, tranquil yet nerve-wracking, TrierвЂ™s aesthetically sleek (and flashback-peppered) film refuses to posit easy answers about ThelmaвЂ™s true nature, instead taking an ambiguous perspective on its volatile subject. Rather than bringing her peace, however, ThelmaвЂ™s feelings of desire and jealousy act as sparks for her unnatural abilities, and their emergence soon thrusts the proceedings into a beguiling realm between empowering coming-of-age saga and furious-deity nightmare. The Carrie-ish center of attention here is Eili HarboeвЂ™s Thelma, whose departure to college sparks fear in the hearts of her overbearing religious parents (Henrik Rafaelsen, Ellen Dorrit Petersen), and soon leads to a romantic relationship with classmate Anja (Kaya Wilkins). Rent/ buy on Amazon and iTunes.ДЄfter three reality-based character dramas, Norwegian director Joachim Trier takes a turn for the supernatural with Thelma, a genre piece about a girl with unholy powers-albeit one that still plays in a decidedly Trier-ian register. A bisexual Little Mermaid-by-way-of-vampire horrorshow scored to original New Wave-y tunes, it really is like nothing you've ever seen before.

Like the dreamy love child of AmГЁlie's Jean-Pierre Jeunet and The Fly's David Cronenberg-except with quite a bit more singing and dancing from its fantastical femme fatales-Smoczynska's knockout debut charts its aquatic fairy tale creatures as they make a name for themselves as a pop duo known as 'The Lure,' along the way falling in love and chomping on unsuspecting (male and female) victims.

#Gooe movies from 2017 professional

Polish director Agnieszka Smoczynska's wackadoo import is a familiar drama about a young couple torn between individual dreams and professional desires, the twist being that these protagonists (Marta Mazurek and Michalina Olszanska) are mermaid cannibals sashaying through the seedy cabaret underbelly of 1980s Warsaw. La La Land's award-season triumphs may have heralded the return of the Hollywood musical, but in terms of ingenuity, flair and sheer eye-popping weirdness, it can't hold a candle to The Lure.